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COVID-19 Compliant Production Guide


We wrote this guide NOT to advocate for the reopening of production pre-maturely, but to build ideas around how we can do productions safely when it feels appropriate to do so.

Overall, productions will need to be small, flexible, & safe.

Therefore, we’ve created new safety protocols for nearly every aspect of the filmmaking process. In most cases, that will result in more preparation, slower production, & additional budget for safety supplies. Adaptability is something we’ve always valued at Oxenfree.

Everyone on the Oxenfree team comes from a background of independent film production & is used to doing a lot with a little, maximizing every last drop of the budget while wearing multiple hats on set. Our crews will be smaller, staggered at every stage to ensure minimal person-to-person contact.

We value safety above all else, we don’t want anyone catching COVID-19 on one of our sets. However, we will ensure that none of the added complexity will impact our end product. We hold ourselves to the highest standards of production value and images & are will not compromise that aspect.



All correspondence and planning should be done remotely leading up to the production in order to minimize person-to-person contact.

  1. Government mandates for the city in which filming will commence must be adhered to at all times (i.e. social distancing, mask protocol, etc.).

  2. Prior to the first day of production, client, crew, and talent are required to fill out a waiver acknowledging the new risks & safety protocols

  3. Any crew or talent who falls ill or exhibits symptoms of illness, regardless of the severity, must reach out to the producer prior to shooting so that a fill-in can be booked promptly.

  4. Remote safety meetings will be scheduled by the producer to go over new COVID-Compliant Protocols. Depending on the shoot, separate meetings may need to be held for the client, the talent and the crew.

  5. Have Crew, Client, and Talent self-isolate for 14-days prior to production as much as possible.

  6. Reduce the number of people required on set as much as possible. Consider the following questions:

  7. Can the creative be reduced?

  8. How many locations can we combine or do in the studio?

  9. Can we stagger lighting, camera, and talent to avoid all being on set at once?

  10. Can the client video call in?

  11. Can we have a separate space for monitoring?

  12. Can we use invisible split-screens to combine performances rather than having talent be on set together?


We acknowledge good guidance and common sense must be applied and utilize other sources of advice on this such as the World Health Organization website: 



Locations need to be prepped & sanitized before client, talent, and most of the crew arrive. Our Pre-Sanitization Team led by a new position “Quarantine Supervisor.”

Studio shoots will be the most ideal for separating & staggering aspects of production, but on-location shooting is still possible with the right preparations.

  1. Quarantine Supervisor & Pre-Sanitization Team arrive on set 1 hour before the first Crew Call.

  2. Quarantine Supervisor preps all gloves, masks, disinfectant sprays, medical shoe bootie covers, etc.

  3. Individual hand sanitizers prepped by Quarantine Supervisor labeled for each crew member so that cross-contamination of the pump does not pose a threat. Sanitizer must have an alcohol content of 60% or greater.

  4. Clean, then disinfect. The pre-Sanitization team uses detergent or soap and water to remove dirt, grease, dust, and germs from the location. Once surfaces are clean, they spray them with disinfectant, let them stand for a few minutes, then wipe with a clean paper towel.

  5. Areas of high-traffic (i.e. the crafty station, the camera itself, the staging area for talent) need to have guiding tape measured at 6 feet so that all areas of the set include reminders of the proper distances.

  6. Clients/talent should enter the building via the shortest possible path and touching the least number of surfaces. Have clients/talent call ahead when they arrive and have doors propped open by a crew member for arrival/departure.

  7. Clients may bring the on-air talent plus one producer. However, at all times they must be at least 6 feet from each other. If multiple on-air talent is needed, try to time stagger them and have them arrive/depart accordingly. No waiting in groups.

  8. Talent should be placed at chairs/tables that have been sanitized before their arrival. That staging area should be the only place talent is throughout the production. No crew member should come within 6 feet of talent. Provide hand sanitizer at the talent’s position.

  9. Trash Cans are all in close proximity of crafty table for easy access


A nurse or health-